Jason statham movies name movie#

And likely for the same motives: a realistic and grown-up acceptance of their own not very considerable thespian limits, and a taste for high-impact expressive minimalism in performance, the currency of pure movie stars, not of actors per se. I can easily picture Statham going through his scripts line by line with a red pencil, like McQueen always did, and reducing five windy sentences to their punchy seven-word essence. He has learned Steve McQueen's lessons well: less is always more. Like a true movie loner, he is taciturnity embodied. Thus he remains in essence a man alone in everything he does, bathed in the poignancy of solitude even as he cracks heads and sprays lead.

Rarely is he emotionally attached or partnered up in ways that affect the narrative. Intriguingly, Statham reads onscreen as sexually ambiguous, an omnisexual fetish-object-of-beauty for all persuasions and proclivities, much as David Beckham sometimes seemed in his high tide. Perhaps that's because his ego seems so much more secure than that of an overcompensating Napoleonic homunculus like Sly Stallone or a bone-deep narcissist like Bruce Willis, let alone a has-been/never-was such as Dolph Lundgren.

Statham, however, manages to stand out from вЂ“ or perhaps just to appear measurably less preposterous than вЂ“ his co-stars even in a testosterone-heavy cast like The Expendables. So why do I find myself not resenting him for it? After all, I have cursed at Nicolas Cage over many a long hot summer release schedule for his unwillingness to make anything but the same high-calorie, low-protein, additive- and preservative-filled action-movie trash, year in and year out. He repeats himself more than Ozu and Eric Rohmer combined. Euro-American action thrillers, quasi-Asian action movies, 1970s action movie remakes вЂ“ every Statham movie has its antecedent, both elsewhere and within the man's own career. He's the master of two franchises вЂ“ The Transporter and Crank movies вЂ“ that are scarcely discernible either tonally or kinetically, while Safe partakes of Transporter 1 just as War did of The One (both co-starring his lean Asian doppelganger Jet Li), and The Mechanic did of Death Race. One Jason Statham movie is much like any other, or at least that's the reductive theory. CAA Media Finance arranged the financing, and production is slated to start in Europe next month.S afe by name, safe by nature don't expect too many surprises from Jason Statham's new movie, just the usual irresistibly dubious pleasures: car chases, kidnapped adolescent girls, martial arts dust-ups, tersely written, often ill-delivered dialogue вЂ“ all of it cut together at breakneck speed to a thunderous soundtrack. Ritchie contributed his own revisions, of course, and Atkinson will produce the movie alongside Bill Block of Miramax, which is also fully financing the film. Ritchie will direct from a script written by Ivan Atkinson and Marn Davies, who worked with the filmmaker on The Gentlemen and Wrath of Man. Reluctantly paired with CIA high-tech expert Sarah Fidel, Fortune sets off on a globe-trotting mission to find billionaire arms broker Greg Simmonds and infiltrate his inner circle. Statham is set to star as - get this - Orson Fortune, an MI6 agent who is recruited by global intelligence alliance 'Five Eyes' to track down and stop the sale of a deadly new weapons technology that threatens to disrupt the world order. Jason Statham and Guy Ritchie are re-teaming on Miramax's spy thriller Five Eyes, which seems an appropriate title given that it will be the duo's fifth time working together following Lock, Stock and Two Smoking Barrels, Snatch, Revolver and the upcoming Wrath of Man, which used to be known as Cash Truck.

Jason statham movies name